5 Silversmiths and Their
Marks
he
workmanship
of silversmiths of the past, and in particular their work on toys and
miniatures, although very difficult to find today, can still be seen and
admired in many famous museums around the world, particularly in Amsterdam,
London, and the United States. There are many other museums which have small
displays of their workmanship.
There is
no mistaking the high quality of the workmanship of these early silversmiths,
but without their individual marks one cannot be one hundred per cent certain
they were made by a certain individual, particularly as so many toys were
copied. Because the toys of the seventeenth and eighteenth centuries were
individually handmade it is natural to suppose that each of them was a one-off,
that having spent hours perfecting a particular toy or miniature, the
craftsman was in no hurry to make another exactly the same and would instead be
turning his thoughts, perhaps, to the next project he had in mind. This is
especially relevant to the work of master silversmiths like George Manjoy and
David Clayton, whose quality of work is excellent.
Even
today it is nearly impossible to find information about the famous English
silversmiths of the eighteenth and nineteenth centuries. Very few books have
been written on the subject, and it is thirty years since Victor Houart wrote
his magnificent book, Miniature Silver Toys.3 He states himself
that a great deal of research is still needed on the
silversmiths of those days and the making of silver toys in England; a subject
about which little is known.
3 Victor Houart (1984) Miniature Silver Toys (translated by David Smith). London: Random House Value Pub (original French edition, L’Argenterie miniature, published 1981).
Despite
that fact, collecting tiny silver toys and miniatures is a fascinating hobby.
It is apparent from eBay, where many such items sell for hundreds of pounds,
that there is a high demand for them. No sooner do good-quality Dutch toys
appear than the bidding starts and prices rise. Early English toys of the
eighteenth century are so expensive that they tend to stick for weeks without
selling. It is possible to buy dozens of eighteenth- and nineteenth-century
Dutch silver toys for the price of a toy silver Georgian teapot.
Many of
the silver toys are blackened with age and are very difficult to clean, as they
are very delicate and if heat is applied (even hot water) it can melt the
delicate silver joints of the toy. Most silver toys will never need cleaning if
kept in display cabinets and only handled by people wearing gloves. It is the
acid from the sweat in the hands which can cause tarnishing. If one has a piece
of silver which is particularly dirty the best remedy is to use Goddards
Long-Term Silver Pad Foaming Silver Polish. One or two applications of this
should shift the most stubborn of stains.
There
have been toys for tourists since at least the mid nineteenth century. They
were often bought as little silver mementoes. Those pieces made of pure silver
weren’t cheap even then – and much less so today – but if someone wanted a
little keepsake, such as a silver miniature of St Paul’s Cathedral or the
Eiffel Tower; then these items could be purchased. Today, there is plenty of
silver to be found and numerous gift shops and good-quality jewellers sell
silver toys.
Many of
the countries visited today for the warmth of their sun, for instance in the
Mediterranean, now sell silver toys to tourists. Turkey and Greece are
forerunners in this profitable business. They are copying little models of
Greek antiques, like small pots and vases. Large quantities of these unmarked
silver toys can be found on the many islands of Greece. Despite the fact that many
countries in the world sell silver toys for tourists, they are of little
interest to the true collector of antique toys. They don’t have their wares
hallmarked or indicate the country of manufacture and investigating the marks
found on Dutch and English toys is half the fun of collecting.
The
history of silver toys teaches us that the first known toys were made for the
children of royalty and it took many years before they were made in great
profusion for children in families who could afford them.