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TRAVELS IN THE KIZZELKOOM
t is time for prayer. Some guy comes out on the balcony of the
stubby minaret opposite our hotel window. He sounds off – not the usual tape,
but a trumpet, cracking upwards at the last, three octaves of broken
accidentals. Sinclair is reading from his goddam
guidebook again: ‘Under the edges of the strata of ferruginous sandstone which
cap the summit of Nogai-Kala are some caves frequented by owls of a very large
size; and the unwary visitor is not unlikely to be upset and rolled down the
steep slopes of the hill by the sudden flying out of the birds on his
approach.’ He rolls on his bed to face me with one dead-wolf yellow eye. ‘Some
times, those, Jay.’ He reminds me of a pustule, of Bolivar
being carried through greater Colombia like a pustule, shedding his library,
too goddam heavy, the library and the liberator both together. ‘Tomorrow,’ Sinclair says, scuffing at
some insect bites and twisting in the styrofoam casing he uses in place of
sheets, ‘we go deeper. To what the Chinese called Zhou-Yen,’ and he attempts a
sing-song, ‘and the Ayrabs Furruck-al-Ziy’ – reading from the
guidebook. ‘What do we call it, Sinclair?’ I ask.
‘And no more mules.’ Sinclair loping along in front, hanging over the mule’s
sides like a pair of saddlebags – a pair of saddlebags with thieves bundled in
them. He smiles horribly, and ladling
Wisconsin on his Missouri says, ‘Sure don’t hear that mule complain.’ Companion, master, guide, and more than
usual today – pustule. With his goddam guidebook, central Asia on fifty kopecks
a day or suchlike goddam crap, and never knowing where we go, or where we want
to go, or if we have arrived, what language or what country we are in – or
even, maybe, are we looking for some other guys, or wanting to be friendly, how
should I know, even sell them into slavery maybe, and Sinclair says, ‘It’s all
come down, you see. It’s all gone back to how it was, and we’re two flies, or
spiders maybe, sidling along the crack where China and the Ayrabs meet the
Turks, and then you see, the Mongols,’ and at that word he pauses, like he’s
crossing himself, or maybe making an evil-eye sign, or thinking of piles of
skulls a hundred metres high, higher than the Golden Gate, a sliding zone that
never stops, and I’m quite desperate now, I ask, ‘What we goddam looking for,
man?’ – and see his face go bronzy and I soften it all up and add, ‘Sinclair,
old man, old friend.’ He sweeps along, as if he’s ordering
foreign troops about – ‘And then, young Jay, I have my little theory that when
the Greeks got to the river, well – what Greek would ever stop and draw a line,
and say – “thus far”? Arriving at the Oxus,’ he rears up and starts poking in
his Samsonite, ‘Wherever at that time it may have been, where would they have
gone but down it? Meeting, you know, the Scythians, and later on, Chinese. And
then voyaging for years, decades, for generations, through Chinese villages.
And towns. And provinces. Where the river goes, young Jay.’ ‘It goes nowhere, Sinclair.’ He says, impatiently, ‘Other rivers,
there’s always other rivers. That goddam river don’t go anywhere, young Jay,
because you’re going round the handling of it wrong. It’s already finished. In
the West, it flows into the sea. Or out of it. But always going east, you see,
they find more rivers. So, one generation, they will reach another sea.’ ‘But Sinclair, they don’t want to find
another one. They want home.’ ‘Home is relative, Jay.’ He turns his
samoyed eye on me, he laughs, ‘Jay, home is relatives.’ ‘Sinclair, it’s where I want to go. Not my
home, necessarily, just someone’s home.’ He dismisses it with a flap of his hand.
‘And truth, Jay? Values? All that Berkeley crap?’ ‘Outmoded, Sinclair, and I never
graduated.’ ‘Graduated? Sure as fuck you didn’t
graduate. How could a guy like you graduate when you got your crummy job in the
parking lot stacking the young scholars’ automobiles?’ He makes an attitude
with a towel, as if it’s a toga. ‘The Romans, now, young Jay, you’ll find them
along behind, wherever two Greeks have gone a thousand of your Romans follow –
down the road to China too. Or maybe India. Or just stay here, fight in the
desert, go to the Urals, what the fuck should I care,’ he finishes irritably.
It is very hot. We are covered with blotchy bites, we look fat and white and
grey like two flatfish. Sinclair asks, quite kindly, ‘How’s the
shamanism going?’ ‘I can’t ease out my long-bones the way
they should. The rest is all quite simple.’ ‘Visiting the dead? And dying?’ ‘A cinch.’ He says, ‘Well, keep on taking lessons.
There is a knack to everything – and since we’re here, you should try the “speshaltay of the may-zon”.’ He laughs, and I think,
‘He’s a great man, yes, a pustule, but a great, a very great man indeed,’ and
he brings out the stuff he’s hunted for: ‘You see this, Jay? You see it, can
you name it? Can you sell it?’ ‘It’s a gunsight, Sinclair.’ ‘It’s a gunsight, it’s a gunsight,’ he
scoffs, and capers round the room. ‘What these guys here would want with
gunsights, poor buggers shooting at poor buggers, don’t need a gunsight to
sight yourself, you fool.’ He is excited, and he screeches, ‘History, you fool!
It’s all come down, you fool. The world is on the move, the movement of the
peoples starts again.’ He breathes into my face, ‘Islam is the last. Last
night’ – he grips me – ‘Last night I met someone, eyes like walled gardens.
They were ready. They inclined their ear. And I put’ – he is delighted, high –
‘and I put my tongue deep, deep into Islam.’ He stands back. ‘You want my reaction,
Sinclair?’ I ask. ‘Sure, why not. To you, I’m just a
pustule. But you know, I am your teacher. I am a great man, a very great
pustule, Jay. And though it hurt to do it, I can lead men, have led men.
Outmoded, maybe. But up the hill, not fearing owls.’ I say primly, ‘Islam is obedience to the
truth, Sinclair,’ and quietly he says, ‘The truth, Jay, is outmoded. And
history is the thing.’ He presses the gunsight against my eye.
I can see eyelid. Then blood and tears. I say, ‘Jesus, Sinclair, what’s in this
thing?’ ‘The future and the past, dear boy. My
history scope.’ ‘The present?’ ‘I’m having difficulty calibrating that,
dear boy.’ I ask, ‘You plan to sell this stuff,
then, Sinclair?’ He says haughtily, ‘Not sell the
merchandise, young Jay. I sell a look, a peep. Forward or back. The present, Jay,’
he whispers in my face again, his breath smells of walled gardens, ‘The
present, Jay, has fallen down into itself. It really doesn’t count.’ ‘Sinclair, you don’t need insist with
me. It’s the American way, I guess, the present and all that, but if your
gadget doesn’t pick it up, it’s all the same to me.’ He looks at me suspiciously. ‘Well, I
hope you’re right. The guys round here are funny. On the move. The big
religions, all that stuff, come in like earthquakes, like gods with nuclear
mowers,’ and he reads from the guide, ‘“when night closed in, this sea without
ships and these shores without ports assumed a sadness which was all their own,
as a nebulous mist veiled the starlight and spread like a pall over waters
whose ripples gave out no gleam of phosphorescence”. Wow, Jay, some writing.
Some place.’ ‘But Sinclair, everything is coming
down. Those communist guys, that fucking trumpeter on the minaret, and
countries that aren’t countries, and just go on, we don’t know what the goddam
place is called because the guide’s a century old …’ and Sinclair is furious,
he shouts, ‘More than a century, you fool. You whine, you whine. Did the Greeks
whine, when they were led on and on, deep into …’ he searches for words like
where we are now at: ‘People. Things. Villages. Shamans. Where you go down, and
there’s an unstoppered jar, and thousands more jars stoppered that you mustn’t
touch’, and I’m surprised – ‘Sinclair, only shamans can go down there and
back’, and he is silent. * It is hot. It is cold. We travel through villages,
towns once full of walled gardens, grey dust plains, grey mud plains. Sometimes
we fly in planes over this landscape of old scarred skin, sitting side by side
like two magicians on the same carpet. Sometimes I run along behind Sinclair on
his mule, shouting ‘Teach me everything I know, then,’ but the wind blows away
the irony, and we are closed in by four winds, one of sand and one of dust, one
of mica, one of bronze, and everything the guidebook says falls far below the
truth. I ask Sinclair, ‘You think we’ll sell
the gunsight?’ and he replies, all haughty now – ‘Well, you see, my dear young
friend, as a gunsight it may not be so hot, but as history – what a portent,’
and I gather that he dropped the fucking thing, or trod on it somehow, and all
I ask myself is what the fuck I’m doing here, and knowing truth only so as to
submit to it is a poor reward for being dead and going down there, and seeing
all the goddam dead and stuff like that, and maybe legions Sinclair has
abandoned here among the dunes during his passages, and on the goddam fat
bastard goes, and he’s ranting all the time about the commissars we meet, about
the guy who played great trumpet on the minaret, about whoever’s ear he got his
tongue in, or time as the skin that holds the cosmic organs in, and all that
crap I got at Berkeley, and I ask: ‘Sinclair, when you going to let me go?’ and
he rages at me, ‘What it is, you got nowhere to go, so I get to take you. A man
should travel free, not with some goddam hippy on a string,’ and maybe he is
right, for sure as hell I don’t know where we’re going, the places being
changed each day, and sometimes Sinclair asking for the ticket in Chinese, and
sometimes Arabic and sometimes pure Manhattan, and he’s asking to see imams and
gunrunners all the time, but specially if they’ve been what he calls ‘those old
commie guys’, and we get ourselves some nasty corners, and one time I have to
do a footrace in the desert – the prize is if I lose, castration, and if I win
– then nothing, and off you go rejoicing. And yet, what these guys all see is what
I know: that Sinclair is a great man. A very great, a very lasting man. Beside
Sinclair, just being dead or living is a pretty trivial thing, and Sinclair
says, ‘I am the glue. I am the everlasting gum that puts these broken bits
together,’ and one day we find a bar and in the back are all the broken pool
cues in the world, and I say to Sinclair, ‘Why don’t you try to mend this
fucking lot,’ and he says wisely, that they must go somewhere and then wait
their turn. ‘Let me go,’ I say. ‘Let’s go,’ and he
says quite gently, ‘I’m not a humanist, you know, young Jay.’ But to show his
trust in me, I get to carry the Samsonite with all the money in, that it comes
from somewhere I don’t want to ask, and he takes on the suitcase with his dirty
socks in, and I think maybe I’ve made a step towards obedience, or it may be
truth, and I even think one of those goddam winds that look like walls is maybe
a bit opaque, and then they overbook us on some flight, and it’s Sinclair on
the mule again, and more melons, tea and these goddam castles built of mud, and
piles of skulls a hundred metres high that turn out as pylons or maybe
radio-towers as you come up to them. And Sinclair is busy squinting at his
gunsight, and he shows it to all kinds of guys, some are in suits and some in
frocks, and some I’ll swear are Chinese, and some piss down straws, and
Sinclair whispers to me that that is real old time, and even in Missouri, in
his youth ... And Sinclair tells them all he’s not a
humanist, and sometimes asks them where the sea is, sometimes which way the
rivers flow, and sometimes lets them use the history scope, and sits there like
a happy seal and watches as they click it to and fro. And there are cops and frontiers, and some
days we change our money and get copper slugs or little rolls of mud, or
perfume on our wrists, and Sinclair coins a slogan, ‘You don’t smell, so we
won’t sell’ and for a while it seems he’ll start an advertising scam in
Kungrad; on this occasion he is much impressed with all the lovely women, but
who knows what the place is called today and besides, as Sinclair says,
sensations pall, that’s what they’re meant to do. Kindly he asks me how the
shamanism is going, and if I want to start a parlour or a circle when I get
back home, and so I tell him how you really need for roasting off your flesh
and binding up the bones with copper wire – is lots of coke, but nothing like
that here, they sell you nutmeg, and he laughs and says how I’m a ragamuffin,
how I live ‘without even ideal wealth, and therefore living on the interest
from the capital of your opinion’, and I say that’s very well, but if I’ve
nothing much to offer, at least I’ve got something big to hunt. And then he
smiles and looks away, and taps the Samsonite with all the bucks. * And so we travel on, this must be China, even though
the guys here do Turkish wrestling, and I see Sinclair ogling them as they oil
up with cornseed oil from old UNRA cans. A sadness is heavy here, they do not
seem to seek the truth, like me, nor do they have a Sinclair to obey, and even
Sinclair seems disturbed, though not downhearted, which he cannot be, so long
as I am here. And he sing-songs: ‘These cities were once set out here
like jewels along a river. Now, it’s dust. But I shall make these buggers rise
again. I’ll make them great.’ ‘They’ll get stomped, Sinclair,’ I tell
him, but he won’t be stopped. ‘No, Jay, I’ll make them more than
great, I’ll make them frightening.’ ‘It’s all been tried, Sinclair, and our
guys just laughed.’ He’s really angry now, he bangs the
history scope down on the floor, and screams, ‘Our side? Our guys? You foolish
guy, you foolish friend, it’s all gone down again, it’s dancing off, it’s
twirling into dust. Nobody’s got our guys, our good old guys, our
side—’ and I must interrupt and say, ‘Sure they have,
Sinclair,’ but he rushes on, and says, ‘What you call our side, young Jay, what
they most afraid of, real afraid, and not the blacks and not the poor, and not
the reds which now there isn’t any, and not the judgement which there may be
but who gives a fuck? Eh? I want your answer, seeker after truth.’ His breath
is close to mine: it smells of nutmeg. I’ve no clue, I’ve no idea. It could be
anything: the mafia, maybe, or jiggers, a blowout on the freeway, how should I
know? ‘The Mongols,’ Sinclair says, and stands
back, pleased. ‘I’ll mobilise the Mongols.’ So that is why we came. I’m really
moved. ‘The Europeans will just blast them,
Sinclair,’ I say. ‘With nuclear cannons.’ He muses. ‘With nuclear cannons, eh?’
And then he brightens, ‘Then we’ll find them something more, maybe,’ but he’s
thoughtful. ‘I never thought. So that’s why every general needs a shaman. Thank
you, Jay, you done a real good turn.’ He’s really impressed with me, my faith
in him is rocked. Over and over he repeats, ‘The Mongols. Blasted with nuclear
cannons. Invasion over. The Mongols ... ’ I sidle out the room. I nearly take the
Samsonite with all the bucks, but in the end, take nothing. Go out on the
street. Nothing on the street. Just lots of guys
waiting. A bookstore selling one familiar book, there must be thousands of
them, Central Asia ... I hide
from Sinclair. ‘The gloom of the West Turkestan steppes, which first impresses
one so forcibly in the Karakoom deserts North of Aral, seems surpassed by the
sadness of the Kizzelkoom ... As the vision passes from ghastly-looking
ridges of sand that are sprinkled with funereal-looking bushes, over immense
stretches of lifeless-looking, bare, clay plains which are lost in a low
continuous line of elevations on the horizon, the feeling of novelty aroused by
such surroundings is almost overcome by a sense of mysterious awe ...’ I go out on the street, and there’s a
group of ragged commissars, they greet me, they are pleased to see a friend of
Sinclair’s, they’re delighted – and I break away, I run. I run and as I pass
the inn where we were staying, I see Sinclair in a sharkskin suit, he hasn’t
seen me but he’s on a high again, he’s gathering his legions. Oh and now he’s
seen me and he opens wide his arms, he pops his tongue out and I’m at the door,
I run up to him. And I pass him, and I keep on running. |
